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Anne S Bourne
CELLO
ADJUDICATOR, ARRANGER, COMPOSER-COMPOSER, CONDUCTOR, CONTRACTOR, KEYBOARD, ORGAN-HAMMOND, PIANO-ACOUSTIC, SOUND CONSULTANT, SYNTHESIZER-KEYBOARD, VOCALIST-JAZZ, VOCALIST-POP
Home Address: Private
Business Address: Private

Professional Name: Anne Bourne
Personal Email: Private
Business Email: annebourne.field@gmail.com
Home Phone: Private
Mobile Phone: Private
Work/Management Phone: Private
Biography:

Anne Bourne composer/ artist, creates emergent streams of piano, cello, voice, AV field recording, and text. Experienced in international concert touring (Resilienze Festival, Bologna 2019, MMM_MM Geneva CH, 2020) with award winning collaborative recordings, dance theatre, and film (Cannes.) Anne holds a DLCertificate as founding alumnae of sangre de cristo mountain deep listening retreats; with early distance telematics experience, a creative sonics improviser with composer Pauline Oliveros (1932-2016) (Primordial/ Lift); Faculty at Center for Deep Listening, Rensselaer NY; and MoM Trustee (Pauline Oliveros Trust.) Anne imparts Oliveros’ text scores, in the context of environmental listening and sounding, in collective empathic gesture, a coalescence of dissonance. As researcher in listening to the littoral sonic environment, Anne is a participant/ affiliate with TBA21/ OceanSpace, OceanUNI, Venice IT; IICSI, University of Guelph; COHDS, Concordia, Montreal; and Geopoetics Symposium, convened by poet Erin Robinsong, with keynotes Astrida Neimanis (Bodies of Water), Indigenous scholar Dylan Robinson (Hungry Listening), Cortes Island CA, 2022. In new creation research with artists who stand for the wild: Learning Endings— Astrida Neimanis, Patty Chang, Aleksija Neimanis, Henry Art Gallery, University of Washington, Seattle, and The Neuberger Museum Westchester, NY; ([m]other, choreographer Kim de Jong w/ filmmaker Philippe Léonard Université de Montreal) 2024; choreographer Hanna Sybille Müller; electronic producer Kara Lis Coverdale, and Striped Canary, Confluence, The Bentway, TO. Anne’s ‘soundfield memory restoration archive’ was adapted by editor Michael Nardone for Aural Poetics edition, OEI Sweden, 2022. Anne listens, composing in attunement to the spectral wave patterns of water with a refined aperture to process the frequency range of the living sound field. annebournemusic.com/